Project
Year
Client
Tags
Aesthetics in Uncertain Ecologies
2022 
Sluice Gallery
Building Sanctuary Initiatives in Higher Education
2022 
Goldsmiths University
Emerging Realities: Obscuring the Line Between the Natural and the Man-Made
2022 
General Electric World Headquarters
For the Love of Art (and other cautionary tales)
2022 
Sluice Gallery
Interview with James Elkins
2022 
Full-Stop
Robert Cottingham and Duvian Montoya: A Glossary of Painting,
2022 
The Norwalk Art Space
IMT Exhibition and Benefit Auction
2022 
IMT Gallery
Museo de la Disidencia and Cultural Production
2022 
Sluice Gallery
The Seamed Zones: The Everyday Life of Immigration Removal Centres in the United Kingdom
2022 
Sluice Gallery
“Local” is Meeting the Moment
2021 
Norwalk Art Space
Arguing Against Graphic Ambivalence: What Earth Modeling Reveals About Visualization in Scientific Computing
2020 
University of Texas Press
The Trouble With Landscape: A Look At How 8 Digital Artists See Our Natural World
2017 
Vice / The Creator's Project
Dear Marcia Tucker
2016 
Sluice
Banter With Corporate Governance, or, like, Neoliberal Lulz
2016 
Furtherfield
Value in the Digital Age: In Conversation with Émilie Brout & Maxime Marion
2015 
Furtherfield
The Sounds of William S. Burroughs
2014 
V Magazine
The Future Of Sound Art Is A Huggable Ball
2014 
Vice / The Creator's Project
Magnetic Audiotape Used to Bring Medieval Church to Life
2013 
Vice / The Creator's Project
How to See an Image in Data: Uncovering Representation in Digital Images
2012 
The Photographers' Gallery
This Danish Sound Artist Makes Experimental Work With A Hip Hop Producer's Mentality
2012 
Vice / The Creator's Project
World's Eye View
2011 
General Electric World Headquarters